Photojournalist, filmmaker and environmental scientist discusses his approach to street photography projects.
Fashion photographer Massimo Scognamiglio uses his studio camera on the streets of Tokyo to create a close connection with his subject.
Are we allowing street photography to grow or are we caught in an echo chamber? Michael Ernest Sweet tackles the question with a plastic Harinezumi camera.
Even if you don't live in a big city, street photography is still possible. As Bobby says, "you just have to step outside your door and make art."
Eytan shows how street photography reveals that "we’re all human beings, we’re all alike, we all have an outer persona and an inner one."