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Conversation with Brian Lloyd Duckett

https://media.blubrry.com/streetphotographymagazine/content.blubrry.com/streetphotographymagazine/141-brian-lloyd-duckett-final.mp3

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We’re doing something a little different this week. Instead of our usual monthly newsletter we decided to publish our interview with Brian Lloyd Duckett in our podcast feed. That’s because Brian is the featured photographer in the March 2023 issue of Street Photography Magazine and we wanted to share our very lively conversation with everyone.

You can listen to our conversation with Brian here (or iTunes, Google Play, Spotify, Amazon, Stitcher and most other podcast directories) then SPM subscribers can read more about him and see his work in the March feature article which is scheduled to publish on Sunday, March 5.

Brian is a documentary and street photographer from London. He has a very quirky and humorous style that is very refreshing. Brian says he is more interested human behavior than random photos of people walking down the street. Look at his work and you’ll see what I mean.

He is also operates StreeSnappers, a London-based street photography hub. There he offers a variety street photography workshops both locally and around Europe.

Brian is also a prolific writer, having penned six books about street photography including his most recent ‘OBSERVED’ – OBSERVATIONAL STREET PHOTOGRAPHY. All of his books are available on his website.

When he’s not practicing or teaching street photography, Brian shoots editorial portraits for newspapers and magazines and is a partner in a commercial photography business.

One more thing…his YouTube channel is an excellent resource for all street photographers.

A selection of Brian’s street photos

Brian Lloyd Duckett, Venice street photographer, Venice photography workshop 2022

Links from the show

  • Brian’s Website
  • StreetSnappers Website
  • Instagram
  • Facebook
  • YouTube

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March 3, 2023 Bob Patterson Filed Under: Podcast

« Adventures of a Gallery Newbie – Lewis Sandler
Personal Projects on Film – LeighAnn Edmonds »

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